The usual things of many Tuesday evenings. Leave the salt mine, and drive 20 minutes to be on my mountain bike before dark.
Happy dogs of other cyclists. The huge malamute must wonder why we need a fire at 48F.
The next morning, I missed the super blue blood moon. But I saw this lighting I’ve missed before, on an entry almost as designed.
The spiked balls of Agave parryi and Fouquieria splendens reaching for the sky, while others plants hang back.
Imagine that also with my low entry monument and development logo, possibly curved to disappear further right. On my plan, that was located somewhere between the agaves and the sotols, the boulders mostly behind.
It still works with mostly native plants.
2/11/18 weather: 61 / 46 / .00″
Driving home, I took an hour to tour the Transmountain Hospital landscape I designed in El Paso. It was actually daylight.
Looking towards the ER entrance, I was disappointed about not being able to utilize passive water harvesting to benefit these plants.
The simple pattern of Muhlenbergia emersleyi ‘El Toro’ and young Acacia farnesiana in a part-curve compliments the Leucophyllum langmaniae ‘Rio Bravo’.
The lone Yucca rostrata stands as a focal point, swallowed by the swirl of grasses.
The same scene, but looking out of the ER portico and far into the badlands along the US-Mexico border.
There’s solace in certain places, and a large part of that is the meeting of function and form. Some of that involves certain colors.
I’m about to channel Tara Dillard right now!
Many buildings in Marfa are white or off-white, skies are often blue, and there is a healthy embrace of native plants including green Desert Candle and Torrey Yucca. Either may be spiky to anyone and even unfriendly to the uninitiated, but they are green for little green in water or money.
I think that white, blue, and green are Marfa’s color trinity.
This Piñon tree is easy on the eyes with the building and sky.
The off-white, utilitarian building is stunning by not just the art installation inside it. The blue sky and it’s reflection on the glass panes is part, and the green, post-monsoon season look of the wild Blue Grama grasses provides the finish.
A designer I really respect insists that plants are icing on the cake.
I beg to differ, and modify that some: flowers are icing on the cake. Make sure there is massing of foliage, show off the sky, and make a simple backdrop.